The “Side Man” Cometh

 Uncategorized
Apr 142004
 
Authors: Josh Huseby

In the 1930s and ’40s swing ruled the airwaves and Benny Goodman

reigned as king. Duke Ellington, Dizzy Gillespie and Count Basie

led bands across the country, directed them in sold-out concert

halls and were treated like royalty. But behind the stars were jazz

musicians that brought the music to life.

These musicians were known as side men. They played the

soundtrack of a generation and are the focus of Warren Leight’s

Tony award-winning play “Side Man,” which is coming to CSU.

Side men were talented jazz musicians who played with the big

names of the day, but because they moved around from group to

group, they never really found a following for their immense

talent.

Directed by Dr. Laura Jones, “Side Man,” opens tonight at the

Johnson Hall Main stage and runs through April 24.

“Side Man” follows Gene (Nic Roberts) from gig to gig through

the twilight of the Big Band Era and into the ’50s when Elvis

Presley and Rock ‘n’ Roll brought it all to an end.

Told through the eyes of Clifford (Nathan Young), Gene’s son,

the play explores the life of a side man who masters his craft, but

then remains so obsessed with it that after his time in the

spotlight is up, he still can’t give it up.

“This (play) takes a unique peek through the lens of the jazz

world,” Jones said.

A world that dominates the landscape of pop culture in the ’40s

and introduces Gene to his wife Terry (Stephanie Tschetter). It is

also a world that turns a happy relationship into a marriage

strained by alcoholism and unwillingness to let go of the past.

“It’s about what happens to relationships when you put them in

the context of your art,” Jones said.

Using characters like the heroin-addicted Jonesy, the balding

womanizer Al, the enigmatic Ziggy and the always-sexy Patsy as

brushes, Leight paints this story upon a canvas of jazz.

Al, Ziggy, Jonesy and Gene are held together by a common

passion, and when they’re not playing a gig or standing in the

unemployment line, they’re at The Melody Lounge, the bar that acts

as their real home.

Clifford emerges as the only stable character and is forced to

raise his parents. In one scene he gets Gene ready for a gig, fixes

Terry’s TV, re-fills her drink, lends Gene money, all the while

trying to calm an argument between his mother and father.

“Side Man” provides a dark comical commentary on the lives of

men who, as Clifford tells the audience at the end of the play,

“mastered their obsession, who ignored or didn’t even notice

anything else. They played not for fame, and certainly not for

money. They played for each other. To swing. To blow. Night after

night, they were just burning brass.”

The obsession that drives the play’s characters to ignore fame,

money and family was one aspect that motivated Jones to stage “Side

Man.” According to Jones the notion of artistic passion and

commitment links the worlds of music and theater.

“If you want to succeed as a musician or actor, it’s not an easy

life,” Jones said. “It’s not easy for those who love you and have

to live with you.”

 

Johnson Hall Mainstage

491-5116 or 491-5562

April 15 to 17 and April 22 to 24 @ 8:00 p.m.

Sunday Matinee: April 18, @ 2:00 p.m.

Tickets: $5, $9, $12

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